Saturday, November 2, 2013

Blanco, Texas--an area rich in Texan history



According to Jean Cox Stanley in her stories of the rich History of Blanco County, by the end of the Mexican period of Texas history in 1836, the first known American land surveyors had entered the area that is now Blanco County surveying land grants lying along the Blanco River.  It can be said that the history of Blanco County had its real beginning when James H. Callahan, a Texas Ranger and surveyor, camped in the Blanco valley. As he entered the Hill Country, the air was cleaner and direr. The countryside was carpeted with wildflowers; such as the bluebonnets, Indian head and paint brush, and other flowering plants. The hills were full of game. In 1854 it was the undisputed domain of the Indian, the bear, the panther and the deer, as well as much small game. Wild turkeys strutted in grandeur along the ridges. Honey bees thrived and honey was in the trees for the taking. "It is paradise", wrote one of the early pioneers.

It is hard for the later generations to understand the hardships and inconveniences that the early pioneer had to contend with. The settlers first work was to build cabins for their families in order to keep themselves, food and gunpowder dry. After that, the pioneers prepared to defend themselves and their cattle from the Indians.  A number of Texas Rangers were stationed in Blanco County. Indians were much in evidence, especially the Comanche and several groups of Apaches. Many of the Lipan had died of smallpox brought in by the Europeans. The rough terrain of Blanco County provided an excellent point of rendezvous for raids and defense.  In spite of all the hardships, the settlers continued to come. Not long after Captain Callahan and E. C. Hines moved to the Blanco valley and built cabins on opposite sides of the river, others followed. There were so many that real estate entrepreneur, John Pitts laid out a town in about 1855. The name of the town was Pittsburg. In 1858, Blanco County was created and the county seat was located across the river from Pittsburg.

The court met for several years under a tree and later in a log schoolhouse. Later the name of the town was changed from Pittsburg to Blanco. The name Blanco means ‘white’. The town got its name from the river cliffs. The river was named by the Spanish Aguayo expedition which explored Texas in 1720. This expedition gave names to many natural objects. A few of the names survived.  It was not until 1855 that the town of Blanco was incorporated. Comal County included the land that is now Blanco City until Blanco County was organized in 1858. Soon after the establishment of Blanco, the Civil War broke out. This brought on very hard times for many people. Mail was brought in once a week and everyone met the mail wagon. This was a moment of much rejoicing or much sorrow. If there was mail from a loved one, it was a happy time. Bad news, or no news, were sad times indeed.

The early farmers living in the Blanco area took their grain to the New Braunfels mills. There they bought tobacco, sugar, gunpowder and other supplies needed but not grown or produced on the farm. During the Civil War, many cattle browsed the range with little or no care. When the soldiers returned, there were many unbranded cattle. The men who were the most expert with the rope and branding iron got more than their share of the cattle.  History books are full of talk of cattle drives as well as many other interesting life struggles. Animals other than cattle had to get to market. Less has been written about these drives. Turkeys were driven to market as were hogs. One hog drive that was of special …"In the 1880’s, there was a heavy acorn crop and hogs fattened early. Five or six hundred were gathered from the woods and driven from Llano to Blanco City, Fischer Store, and over the Devil’s Backbone to San Marcos. The hogs were led by a wagon loaded with corn. An old man sat in the back of the wagon, called to the hogs and scattered corn to keep them moving."  By 1870 cotton was being grown in Blanco County. Eli C. Hines was one of the very early settlers to raise sheep and cotton in Blanco County. The Cox brothers, my great-grandfather and his brother grew cotton by this time. The cotton had to be hauled in seed form to New Braunfels. There it was ginned. Some years later a number of cotton gins were built in and around the Blanco area. About 1900 a cotton gin was established on the site that would later become our home place. A book found in the Blanco library states that a gin valued at $1,200 was on Cox property.

Progress continued in Blanco County. The courthouse was erected in Blanco City in 1885. It was designed by noted architect, F. M. Ruffini, who crowned its relatively unadorned square limestone body with an elaborate mansard roof. The courthouse was Blanco’s pride and joy. It served its intended function for only five years. Three elections were held in the county and it was voted that a new county seat would be at Johnson City, a town fourteen miles north of Blanco. This move caused many hard feelings between the two towns, including a killing.  A great uncle, Aaron Cox, known as "Judge", was sheriff of Blanco County at this time. Blanco citizens schemed for years after the Johnson City move to reestablish Blanco as the county seat, but all efforts failed.  The old courthouse has served many a purpose. It has served as a bank, newspaper office, hospital, opera house, school, union hall, museum, restaurant, etc. Few T towns can claim a vacant courthouse which became so useful for so long. There is a continual effort by the Blanco Preservation Society to save it.

The first school in Blanco County was a log house in Pittsburg, near the present town of  Blanco. Shortly after this, a number of other schools were opened in the county. One student described her early schooling in this way; "I sat on a split log with my feet on a dirt floor. The windows were constructed so that when the tops were opened they could be used as desks. When the windows were closed, logs the length of the building held the shutters in place as a protection against the Indians."  One of the earliest news sources was a Blanco County weekly, The Stinging Bee. It was hand printed between the years 1860 and 1870 by a man named Harrison. In it he told "…the truth and nothing but the truth." He read this paper to a crowd who gathered on the square on Saturday mornings. After the reading, some men were afraid to go home because their excesses were exposed.

The first automobile came to Blanco around 1912. Flat tires were a common thing. Car owners had to carry a cold patch kit along in order to fix the tires. The cars had to be cranked to start them. This meant getting in front of the car, putting the crank into the crankshaft end and turning the crank until the motor started.  Another thing remembered is that cars had no direction indicators. To let another driver know what you were going to do, it was necessary to hold your hand and arm out the window. Then you put your arm up, down or straight to give your signal. This was a common practice up through the early or middle 1950’s.  The horse and wagon or buggy were still being used in our area as a means of transportation until about 1935. As children, we used a wagon team or walked to the places which we might go. We did have a car but were not old enough to drive. Our mother never learned to drive.

Electricity did not come to the rural Hill Country until 1939, and later than that in remote areas of Blanco and Comal Counties. It is hard to describe what a difference it made in the average person’s life. Now people had electric pumps for water wells and power for washing machines and radios. On the radio you could get hooked on Maw Perkins, an early day soap opera. They advertised soap—hence the name "soap opera".  Many men and boys lined up to apply for the jobs of extending electric lines, about one third of them were hired.  Many of the jobs were given to men who had wanted electricity but had been unable to raise the $5 deposit for connection. They paid this out of their wages. I do not know if this deposit was taken out of my brother’s wages or not. At any rate, he applied for a job, even though he was only seventeen and the minimum age for employment was eighteen. The employer said, "Let me feel your muscles." After doing so said, "You’ll do.’

Brown and Root, the well-known contractors in Texas were given the contract to construct the electric lines. They had to hire men who were known to be hard workers. The poles that carried the lines had to be sunk in rock. Brown and Root’s mechanical hole digger failed in the hard Hill Country rock. Men had to do it with manual labor. For this work, they were paid forty cents per hour, which was a good wage at that time. Franklin Roosevelt’s "New Deal" public projects helped to pull the nation out of the great economic depression.  Electricity brought easier times to the people of Blanco County. The depression years were coming to a close and electricity eased the work load a great deal, at least for the women. But just as the Hill Country people thought they were in for easier times, a catastrophic event took place—World War II started for the United States with the bombing of Pearl Harbor on December 7, 1941.

At the present time, Blanco County is increasing in population, as is all of Texas. This is not necessarily for the better. People do not know their neighbors, nor have the concern for them that they once did. To quote Sam Johnson, President Lyndon Johnson’s father, "The Hill Country was a place where people knew when you were sick and cared when you died." This previous concern could have resulted from necessity. The early families had to depend on each other in times of illness or childbirth, as well as for a social life.

(You can check out my entire Texas Hill Country photo collections at:  http://www.costamesaphotography.com/TexasColoradoNevada/Texas   Comments and feedback definitely welcome!)


Thursday, October 3, 2013

Not in My Backyard...

This is a phrase that is most often used to convey a sentiment generally opposing change near one's home. But in this case, "not in my backyard" describes the wonderful things I found in someone else's "backyard"!   I was recently commissioned for a photographic assignment for a top real estate broker in Seal Beach, California.  The idea behind this project was to capture images of the neighborhoods, and in particularly the uniquely different and distinct qualities of their neighborhoods so that people shopping for homes and viewing the realtor's website would not only get to see the individual houses being offered (which many realtors show), but also provide clients with images of the surroundings to give them a better feel for what to expect when choosing where to live.

What I learned about their "backyard" is that within a short walk from almost anywhere (or a jog, or a bike ride), one will find amenities characteristic of most beach cities, and in the case of Seal Beach, amenities which reflect it's storied history as a recreation destination of choice, complete with a beach-side amusement park (no longer there) long before Disneyland was created in Anaheim.  The town was a beehive of activity--many people walking dogs, strolling through shops, jogging along parks, playing basketball, surfing, swimming, lounging, bike riding....everything you'd expect, and a lot of it!  


Not having been to Seal Beach much (although it's only a 20 minute drive from my house), I found through my extensive visits to these neighborhoods that their "back yards" have an exciting variety of quaint shopping areas, charming restaurants, and one of the more beautiful beaches and skylines around.  And like a jewel in the middle of all that is the City's pier--the second longest wooden pier in California , built in 1906 (extensively reconstructed after storms in 1935 and 1983).   It's a long walk down the length of that pier, but a scenic walk...diving pelicans, boats, transport vessels shuttling working out to the oil platforms, fisherman, and just the casual tourist.

I could go on and list the many other points of interest in an about the City, but that might spoil the fun of your own exploration.  Suffice it to say, Seal Beach would well be worth your time spending a day or an afternoon there, and who knows, you might fall in love and want to move there--in which case, I know a good realtor there!

Don't have time right now to pay Seal Beach a visit?  Then take a look at my collection of images and see what you're missing...  http://www.costamesaphotography.com/SouthernCalifornia/Seal-Beach

To contact me sent email to:  CostaMesaPhotography@gmail.com





Monday, September 23, 2013

It’s Way Better than TV (but then you knew that…)

Within the first few minutes of arriving, I was glad I gave myself the much-needed push to get up off the couch and go on a photo shoot.  A very deep breath confirmed the satisfaction of being in a place where the sun was pouring down on me, the smells of the native grasses filled my belly and swirling movement of active birds teased me for my attention.  I was once again at the San Joaquin Wildlife Sanctuary (SJWS).

This remarkable habitat is in the middle of Irvine and about a 10-minute drive away.  Formerly known as the San Joaquin Marsh, this area used to be frequented by duck hunting clubs dating back to the late 1800s, this according to Catherine Waters in an article she authored for the American Birding Association in 2001.  Of course with the urbanization of Orange County, the duck hunting subsided, but the public’s enjoyment of this area has continued.

On this glorious afternoon, the SJWS was my playground.  The temptations had been strong to just sit there and watch TV or “work” on the computer, but I was successful in guilting myself to get out and exercise my camera…sure glad I did.  From a photography standpoint, I picked an aweful time to go…mid-day, bright sun, very warm outside (birds seek shade and are harder to find).  From a human standpoint though, it was the perfect time to go.  The place was nearly deserted.  The trails around the ponds were empty and the paths connecting them through corridors of trees and shrubbery were also void of other visitors.  Walking around one of nature’s gems is way better than TV…but then you knew that.



I had no real expectations of capturing any National Geographic-esque moments, but I was certainly ready if such an opportunity presented itself.  I enjoyed the quite walking, the coolness of the occasional shady path, and the anticipation of the possibility of finding something interesting to photograph.  I wasn’t disappointed because if I’ve learned anything about photography, it’s that no matter where you are, there are ways to capture moments to convey the story of your experience.  And since I was feeling particularly good about my decision, I knew that “luck” would be on my side.

For me, the image of that bench across one of the ponds told the story of possibility…the possibility of a peaceful rest and the relaxing view of a nature.   Although nobody was enjoying it at the time, I couldn’t help but think about how nice it would be to just sit there and take it all it! 

And then was that small, cute heron…a young night heron or green heron (I’m not a birding expert, so forgive me if I don’t have it right).  I was treated to this great surprise as I came around one section of reeds and then looked back in the direction that I came from (a good habit for photographers to turn around and see other perspectives).  And there it was, stretched between two reeds, just above the water line, hanging on.  This was a real treat and is the sort of “luck” one finds when preparation meets opportunity. 

Further on my journey I came across another scene with a small black bird tucked in thicket of tall grass.  It was sitting on one strand which under its weight bowed down to make a nice perch.  The silhouette was wonderful.




On the short drive home I had a real sense of satisfaction having spent a gorgeous afternoon in such a refreshing and rejuvenating place.  Next time you’re invited to join me!

You can check out my entire collection of images on my website gallery at www.CostaMesaPhotography.com and as always, I welcome your comments and feedback at CostaMesaPhotography@gmail.com




Saturday, September 7, 2013

Seal Beach Shopping trip—or was it a Photo Shoot?


I’ve not been to Main Street Seal Beach before, despite being in Southern California for over 30 years.  What a hidden treasure though, or not so hidden if one has already discovered it!!  In an area no bigger than 3 or 4 blocks, this quaint combination of shops and restaurants has something for everyone.  As we were completing a purchase at the Olive Oil Company, we asked the ladies there what a good place would be to have lunch.  Several places were suggested, but when I asked if they were to leave for lunch this moment, where would they head…they said Hennessey’s.  So that’s where we went.  It’s like all the merchants work together here…fantastic!

There were so many great-looking places to eat that we will definitely have to come back.  Same goes for the shopping…the stores we went in were packed will all sorts of interesting and desirable items—how does one choose??  Guess we’ll have to be back to shop some more there too!  All in all, this small pocket within your city packed a big punch—kudos to the teamwork that must be present in order to bring that about!

So I’m guessing that I’m one of the last people around here to discover this special area of Seal Beach… my photography will likely bring me back to get more images…and Hennessey’s service and ice cold IPA’s will no doubt bring me back too!  Or is it the fine olive oils and vinegars at the Olive Oil Company… or wait, maybe the fresh seafood at… yes, we’ll be back!

Below are just a handful of my recent images.  Check out my website for my complete collection…   http://www.costamesaphotography.com/SouthernCalifornia/Long-Beach   (Any of my images can be ordered as prints, enlargements, or imprints on merchandise)

Friday, August 30, 2013

Your Camera’s Automatic Modes…How does one choose?

Basics
Indulge me for a moment as we start at the beginning…  Most cameras have the following exposure modes:  aperture priority, shutter priority, fully automatic, and manual.  Your camera may refer to these as A, S (or Tv), P, and M.  In addition to automating the choice of aperture and shutter, many cameras also give you the option of automating ISO, the third “leg” of what’s often referred to as the “exposure triangle”.  Aperture relates to how big the opening is inside of your lens (which lets light in).  Shutter speed describes how long the internal sensor (used to be film) is exposed to that incoming light.  And ISO describes how light-sensitive the sensor will behave (or how light sensitive the emulsion on the film was). 

Optical Effects
No matter what mode you choose, the objective is the same…find a combination of these three parameters that will give you proper exposure and do so in a way that also achieves the optical results you desire for that image.  By optical results, I mean controlling your depth of field, motion blur or freezing, and noise and grain.  Because proper exposure can be achieved by a variety of combinations of shutter speed, aperture, and ISO, you will need to understand how each of the cameras settings affect the outcome.  The reason your camera has multiple modes to choose from is to help you zero in quickly on the right combination of settings for the particular image you’re working on capturing. 

Manual Mode
So, first let’s discuss manual mode.  Some professional photographers and advanced enthusiasts will claim they only shoot in manual mode as if it’s somehow a badge of honor (it’s not by the way).  Manual mode forces (allows) you to choose the three legs of the exposure triangle necessary to achieve a proper exposure.  You could say it gives you maximum control.  In contrast, automatic modes will help you by allowing you to choose one of two of the more important legs, and will then automatically choose the third leg necessary to complete the proper exposure.  There might be times or reasons why you would want to shoot in manual mode, but I think those times are so few and far between, I would suggest to you that manual mode be reserved for those rare occasions.

Semi Automatic Modes
Before you decide which automatic mode to use, you typically determine which parameter is most important for you to control yourself.  That is, are you primarily concerned about depths of field, i.e. how much of the subject matter is in focus, or how much subject motion you want to allow.  You generally want the ISO to be as low as possible for image quality, but sometimes this will be the parameter you will want to adjust higher knowing that you’re in low light situations and would want to be able to have higher shutter speeds and/or greater depth of field. 
As I mentioned, you can choose from aperture priority, shutter priority, and fully automatic.  You might be asking yourself, is there a “best” mode to use?  Well, let’s consider that question for a moment and see if you begin to formulate your own conclusion… (hint, the answer is no).

Pros and Cons of each Mode
Let’s start by looking at the downside, or “cons” to having an uncontrolled (automatic) parameter.  If you choose aperture priority (A), shutter speed will be automatically determined by the camera (and not you).  You have control over depth of field (aperture), but the downside then is that you could end up with too slow a shutter speed which would result in your main subject being blurred.  The number one reason most images will be discarded is because of lack of focus or a blurred subject.
If instead, you choose shutter priority (S or Tv), the aperture is automatically determined by the camera (and not you).  In this case you will have properly managed the motion blur, but the depth of field may be very shallow or may be deeper than you wanted.  Although this is a downside, too deep a depth of field can often be dealt with in post processing--too shallow a depth of field though is a greater downside if your subject does not fit within the depth of field (often the case in macro photography).
If the ISO is automatically determined (by the camera, not you), then your image could have a higher amount of noise or grain than you would want, but recognize that the only reason the camera is choosing a higher ISO is because you’re forcing it too when you choose a faster shutter speed or a smaller aperture opening in low light situations.  The grain and noise can be a downside, but you just need to be aware of this when shooting in low light (and when you don’t have a tripod that would allow you to use slow shutter speeds).  Also note that software can be used to reduce noise in post processing.

Fully Automatic
The last automatic option, fully automatic (P or Auto) may be your go-to choice if all of this still sounds too complicated.  Although the manual of higher-end DLSR cameras refer to this mode as “point and shoot”, don’t be ashamed to use this mode.  Sometime you will be in situation that is so dynamic and changing that you will want to concentrate more on composition and image capture and less on the nuances of your cameras settings.  In these cases, let your camera do more of the "thinking".  This mode works best in well-lit situations.  Develop the good habit of always noticing your aperture and shutter speed in the viewfinder—this will help you ensure that your camera is making choices that are suitable to your situation. 

Summary and Personal Preference
As you are planning your photography, you should consider how best to translate the impact of your observations and feeling to the camera’s sensor.  Knowing that the camera has the three parameters of the exposure triangle, and knowing how each of them affects or influences the final image’s characteristics, will allow you to make the “right” choice of  mode—for you, and for your situation.  Automatic modes are designed to help simplify your camera’s use…which mode you choose will help you get your exposure settings more quickly based on your priorities.
Personally, I like to start by having my ISO set on automatic.  It stays at 100 (or 200 for some cameras) and will only go higher when there is not enough light hitting the sensor based on my choice of aperture and shutter speed.  I can decide to control aperture (aperture priority) or the shutter speed (shutter priority)—and I’ll know when I do that, that two out of the three parameters will be automatically determined for me—giving me greater freedom to be creative and less focused on camera settings. 

Much of the decision making on mode choice is personal, and you may have different ideas on your approach…if that’s the case, I’d love to hear from you.  Email me at CostaMesaPhotography@gmail.com






Sunday, August 25, 2013

Street Photography


Paris is widely accepted as the birthplace of street photography.   From as early as the late 1800s, street photography was a way to simply capture and depict ordinary life and the cityscapes in which it took place.  Street photography is a genre of photography that features subjects in candid situations within public places.  Although the subject can even be absent of any people, invariably, there inclusion produces a more interesting result.

Framing and timing are key aspects of the craft, with the aim of creating images at a decisive or poignant moment.   Street photography is definitely not for the faint at heart.  There are generally two types of street photographers—those that engage their subjects, talking to them, learning about their situation or activity, and those that hide behind trees or snap pictures by holding their cameras in obscure positions as if to conceal their intent.  Today I was the latter.

I was in Seal Beach on a shopping trip but knew that the scenery might offer up some great photographic opportunities.  I like to take my camera with me on trips like this because you just never know…  I was rewarded with a number of interesting scenes as well as these two character shots.  (The scenery shots can be viewed at http://www.costamesaphotography.com/SouthernCalifornia/Long-Beach)


The key to street photography, beyond framing and timing, is to be aware of your surroundings, and to be prepared with your camera.  You don’t typically have a lot of time to make decisions about shutter speed, depth of field, lens choice, etc… so you need to make as many of these ahead of time as possible.  Then when the moment presents itself, you can frame, focus, and make the image capture.  Sometimes a street photographer will take up a position and wait for the action to develop, but today I was on the move and would have to go to where the action was.

People on the street are generally wary of someone walking around with a big camera, and such was the case with the gentleman in this shot.  He gave me a wary eye as I walked by, and had I had more time, I would have stopped to talk with him because I thought he looked like someone with an interesting story.  I quickly sized up a composition that might work, after walking a short distance further, turned quickly to get the shot I wanted.  The young lady playing the guitar was a simpler shot, but still required a quick reaction.  I didn’t know when I first came upon her that I wanted a shot…I wasn’t seeing a composition that struck me.  But as I was passing by to cross the street I saw it—and had to react quickly.

So whether your genre of choice is landscape, travel, macro, portraiture, etc… dabbling in street photography will keep your senses sharp and will challenge your equipment and technical skills.

If you have comments or feedback, email me at CostaMesaPhotography@gmail.com



Friday, August 2, 2013

What are YOUR Blind Spots?

We all know what they are…you’re driving and there could be someone right next to you—but they're be invisible.  It takes extra work when driving to check your blind spots because failure to do so can have catastrophic effects if you’re wrong.

What does this have to do with photography you ask?  Everything!  Photography is an art of expression.  Done right, the photographer conveys to the viewer not just the facts of what was in front of the lens, but conveys an entire emotion of that very moment.  Done right, you will feel nearly the same things that the photographer felt at the time of capture.

So in a photographic sense, what’s a blind spot?  I’ve stumbled onto one of them after following the suggestion of a fellow photographer friend of mine to check out the subject of “contemplative photography”.   Turns out, this subject is well documented, and is the subject of several books.  It’s an aspect of photography that really transcends image capture and punctures the barriers of perception that define for each of us just how much we see.  We all have filters to varying degrees...it's by contemplating that more of what we're looking at begins to reveal itself.

You know those pictures that you’ve been presented with where you see the old lady, but if you look at the image long enough, or in a slightly different manner, you see a young beautiful woman?  In a way, that’s what I’m talking about.  Both are present at the same time, and yet some people see only one or the other…and it’s only after a bit of contemplation, that both are revealed.


According to Andy Karr, author of “Practicing Contemplative Photography”, this is a method for seeing and photographing the world in fresh ways, that reveals richness and beauty which is normally hidden from view.  There is a mystical and somewhat philosophical quality to this topic that still escapes me, but I’m getting the idea of it by studying Andy's writings on the topic.

I’ve also done some experimentation of my own, following the guidance of de-emphasizing an image's subject matter and instead emphasizing, or trying to notice and perceive the qualities of Color, Texture, Simplicity, Light, and Space.  It’s harder than I thought it would be.  These attributes are present in every single photograph, by definition, but they are not typically noticed unless brought to the forefront by a photographer skilled in seeing them, and then illuminating them in an image capture in such a way that others can see as well. 

For many of use, life is full of blind spots…for photographers, every opportunity for image capture is as well--and it takes extra work to develop the good habits to check blind spots and avoid their pitfalls.

Feel free to share with me any comments you might have by email me:  CostaMesaPhotography@gmail.com